Photoshop creates a perfect brown classical imitation hand-painted beauty

Author：Eve Cole Update Time：2013-03-08 11:42:31

Source: Baidu Tieba Author: Mo Yan
The process reference diagram of this tutorial is relatively small, and many details are not shown. However, the methods and ideas introduced by the author are very good. General process: First is character beautification, which includes whitening, skin resurfacing, facial and contour repair, etc. Then there is the hand-painting operation of facial features and face, which are very basic. The last step is to deal with the hair. If you learn these steps well, it will not be difficult to switch to hand-painting.
Original picture

final effect

1. Open the original picture material. First, let’s observe where the original picture needs to be liquefied. In this picture, in order to strive for perfection, the face shape should be liquefied smaller, and the head shake should also be smaller to match the face shape. There are also two blank sections of hair that need to be repaired with repair tools.

2. Use the Magnetic Lasso tool to circle the skin, press Ctrl + Alt + D to feather 5 pixels, execute: Image > Apply Image, change the channel from RGB to green channel in the pop-up dialog box, and set the blending mode to "Multiple" Change "Overlay" to "Screen" and customize the opacity to get the effect on the left side of the picture below.

Next is microdermabrasion. You can choose any method. You can also use external filters to microdermabrasion.

3. To process the eyes, follow the process shown in the small picture.

4. Treatment of the mouth: First, draw an orange-red color with a low-flow, soft-angle brush to draw the base color of the mouth. The closer to the lip line, the darker it becomes. Use a low-flow white to draw the lighter areas of the lips, use the Smudge Tool to spread it out, and use the Pen Tool to trace the dark brown lip line.

5. Processing of the nose part: You only need to absorb the color of the dark part of the skin, and use a low-flow soft-angle brush to draw the thickness of the nose.

6. Treatment of the hair part: First absorb the brown color and spread out the base color of the hair. Pay attention to the junction of hair and skin and do not apply it to the skin. Pick up the color from the dark parts of the skin and use a pen path to draw the rough layers of the hair. The brush is just a normal soft-angled brush.

7. Still using the path of the steel, move it slightly, use a smaller brush and use a slightly brighter color to stroke it again. This step is to refine the level. You can redraw some paths and use different shades of brushes to stroke it to increase the level. feel. Then use a large soft-angle brush with low flow and low opacity to spread a light color on the hair over a large area to make the hair softer overall.

8. Use a lighter color to add highlights, or use the highlight painting method behind. The areas circled in red in the picture below need to be liquefied and adjusted. The direction of my gaze is not right and my hair is too thick. Use levels throughout the image to increase contrast.

Finally adjust the details to complete the final effect.