First, use the Burn and Dodge tool to paint a rough outline. When painting, the most important thing is not to make the exposure too high, usually within 10%. Otherwise, it will be difficult to control, and the painted effect will be too uneven and feel dirty. . Then apply it slowly and repeatedly. Because the way I draw is to use the darkening and dodge mode, it is very important to use it. It will definitely need to be adjusted repeatedly, so there will definitely be some less detailed steps in the teaching material. Please forgive me. As long as you learn these in the future and start making teaching materials, you will know that the teaching materials for this type of work are all perfect. This is what it looks like.
Outline the nose area, feather it appropriately, and then paint the nose. If the edges are too hard after painting, you can use Gaussian blur to create a smoother transition. . .
This work was written on the fly. You can draw the layers according to my final effect and pay more attention to the details. In this way, the mouse painting is actually not difficult, but it requires too much patience.
Create a new layer and draw his mouth. Then use the selection to deepen its dark tones. Dodge in the middle. In this way, the three-dimensional effect of the mouth is revealed. Personally, the mouth is the easiest in the entire mouse drawing process. Does anyone feel the same way?
Use the Burn and Dodge tool and select a suitable brush to paint the texture on the lips. . . This brush is in the fine brushes that comes with PS. You can take a look at it more. The brushes are really easy to use.
Then sharpen it again and the texture will come out. The mouth is finished.
Then start drawing the eyes.
Create a new layer for the eyeballs, use a circular selection to draw a gradient from black to dark red, then create a new layer, use a round hard-edged black brush to click on the center of the eyelashes to make pupils, and draw out the black eyeliner that spreads around. Just paint with a black brush.
Create a new layer and paint the highlights of the eyes. Just use an eraser to adjust the opacity and rub the translucent highlight below.
For eyebrows, first draw the shape with a path, fill in the color of the eyebrows, add noise and blur the motion, then use a mask to paint on its edges to make the transition smoother.
Bring out the highlights and shadows of the scarf.
Add a little more variety and a scarf will do the trick.
The clothes are also drawn using the same method as the scarf just now.
Then draw his hands, apply dark tones, and then apply highlights.
Apply selection appropriately. Change the dodge mode to darkens, and make some slight changes to reduce the saturation. It doesn't look too red like everyone said.
Create a new layer and paint your nails.
Now it's the hero's hair. Use the smudge tool, select the appropriate brush, and smear on the edge of the hair layer.
Outline the path and stroke it in whatever color you like.
Look, the hair is still good. When stroking, remember to hold down ALT and click on the stroke, and then simulate the pressure in the dialog box that pops up from the color selection.
Next, draw the heroine. Just like the male protagonist just now, choose a suitable brush to apply on the edge of the hair layer.
Choose the appropriate brush for dodge. Just adjust the color again.
Next, let’s draw her face first, just like the male protagonist just now, just darken and lighten it.