This Photoshop CS3 tutorial is as you can see in the picture below. In this tutorial, I will use PHOTOSHOP CS3 to teach friends to create special effects in pictures...
It may seem a bit difficult at first glance, but it doesn't matter. I will explain the steps in detail in the following production process. Ultimately, I hope that everyone can find their own design inspiration in the tutorial and master the use of some new tools in CS3.
1. Now we start making. The first thing I need is a good material. Here I found a yacht. Of course, you can also use other materials, such as cars, shoes, and other objects you like.
2. After opening another material, here I used the splashed paint. Here I think that if I use water, the effect will be much worse, so I chose thick paint (I personally think that design requires a combination of elements that breaks the original traditional concept and dares to innovate to make people's eyes brighter:)
3. Select the pen tool, set it to the shape layer editing mode, and then execute Layer-Vector Mask-Show All on the yacht layer. Then use the pen tool to select the yacht.
4. Use the same method as above to deal with several other yachts and merge them into one layer.
5. Next we will make some more modifications to the hull. Select the pen tool and set it to path editing mode. Use the Pen Tool to make a complete path along the windshield on the hull.
6. Press CTRL+ENTER to convert the path into a selection, create a new layer on the upper layer of the hull, fill the selection area with a gradient from black to white, and rename it "GLASS".
7. Set the layer blending mode to Color Burn, and set the layer transparency to 40 percent.
8. Repeat the above steps to add an "artificial glass" to all the windshields of the hull, and then execute Select - Color Range. Use a white straw to click on the front deck of the hull and set the color tolerance to about 120.
10. Create a new layer, fill the selection area obtained using the Color Range command with white and set the layer blending mode to Soft Light and rename it to "LIGHT". Use this method to highlight the front deck.
11. After correcting the hull, we will place the spattered thick paint behind the hull and arrange it in a suitable position. Where exactly should it be placed? This all depends on personal feeling. The placement plays a large role in the quality of the entire work.
12. The deformation tool plays an indispensable role in our work. Now we execute this command (Edit-Distort-Transform). Drag the anchor point in the Transform Tool to drag the splatter of thick paint close to the edge of the hull.
13. Use the Push tool in the Filter-Liquify command to deform the "paint wave" slightly and change its shape slightly.
14. So far we have completed most of the tools, now we will deal with some details.
15. Select the brush tool and create a new layer. We add dark and highlight areas to the "paint wave" in the new layer.
16. The entire work should be completed by now, but it looks a bit monotonous. We're going to create a background. Create a new layer, use the Elliptical Marquee Tool to create an elliptical selection in the center of the image, and execute the Select-Feather command to set the feather value to 40 pixels. Then set the foreground and background colors to blue and white respectively, and then perform filtering. Go to Mirror-Render-Cloud Filter and lower the layer opacity to 70%.
17. Continue to create a new layer, select the brush tool, and set the shape of the brush. Check the Shape Dynamics, Color Dynamics, Scatter, Other Dynamics, and Smoothing options in the brush settings. Make the shape as shown below, and then set the layer blending mode to Color Dodge.
18. Finally enter the text and the entire work is completed. As I said at the beginning, I hope you can use this tutorial to inspire more creativity and take your design to a higher level.
